I’ve known Amsterdam-based, San Francisco-bred, Jennifer Lyon Bell ever since we met over half a decade ago at Brooklyn’s much beloved Monkey Town — back when a DIY, Williamsburg performance space could afford to host a Sunday brunch for CineKink Film Festival award winners. (Bell’s Matinée took the Best Narrative Short prize, while Un Piede di Roman Polanski, an homage to Roman Polanski’s foot fetish I co-directed with Roxanne Kapista, nabbed Best Experimental Short.) Since then Bell’s films have been both banned (Matinée from the Melbourne Underground Film Festival by the Australian Film Commission in 2009) and celebrated, most recently in the U.K. and Canada. Her latest, Silver Shoes, available from PinkLabel.tv, premiered at London’s Institute of Contemporary Arts and won the Feminist Porn Awards 2014 Movie of the Year.
Filmmaker decided to catch up with Bell to chat about the film’s digital launch via a “fair trade” platform, the current climate for art porn, and Amsterdam’s inaugural (and brilliantly named) Holy F*ck Film Festival.
To read my interview visit Filmmaker magazine.