Wednesday, December 31, 2008

New Year Wishes For 2009 From Lauren Wissot












In 2008 we began the year in entertainment by bidding a premature goodbye to hottie Heath Ledger, his death casting a shadow on summer blockbuster “The Dark Knight”; and ended it by delivering a fond farewell to “The Dark Angel,” the Marilyn Monroe of the fetish world, “Queen of Pin-Up” Bettie Page. In between we lost numerous other screen sizzlers: Charlton Heston, Paul Newman, Suzanne Pleshette, even Vampira! But since the New Year is a time to look forward as well as pay tribute to the sexy stars we leave behind, I’ve compiled my wish list for a very steamy 2009.

And many thanks to my SpoutBlog editor Karina and her twisted photo-shop skills!

Wednesday, December 24, 2008

Home for The Holidays: Sexy (And Family-Friendly!) Cinema Suggestions

Yes, it’s that “most wonderful time of the year” again. And unless the scent of pine turns you on or you’ve got a fetish for glittery objects (like the crazy queen who must have designed this year’s Macy’s window display after watching “A Beautiful Mind” on acid – there’s even a borderline creepy ode to the “diva Tinsel” stenciled on the glass. Check it out if you’re in NYC, it’s a must!), you’re probably feeling about as sexy as eggnog right now. But don’t despair. If Macy’s can turn a stalwart tradition into an LSD trip I can find the perversion in “The Sound of Music.” So without further adieu, visit Spout for some sexy, family-friendly suggestions for gathering around the DVD player with the clan.

Wednesday, December 17, 2008

An Antidote to Sexy Nazis: Mädchen in Uniform

Hollywood’s holiday season has been synonymous with Holocaust-themed films –– see this year’s entries “The Reader,” “Defiance,” “Valkyrie,” etc. – or not. But only after reviewing The New Stage Theatre Company’s titillating “Oh, Those Beautiful Weimar Girls!” did it hit me that revisiting the tragedy of WWII every winter makes no sense. For ‘tis the season to be jolly––not watch a Nazi! So I propose to start a new tradition: to stop equating Germany with SS boots and “Seig heil!” salutes every December, and instead go further back in time to when Deutschland was synonymous with sex, drugs, and decadent fun. Yes, this month let’s raise a toast to the high-spirited sleaze of the Weimar years; let’s celebrate the country that, before it gave the world the most notorious psychopath of the 20th century, birthed the first sexy, pro-dyke flick in 1931(!), Leontine Sagan’s “Mädchen in Uniform.“ And you can watch it on YouTube!

To read/view the rest of my column visit Spout.

Thursday, December 11, 2008

Sex and Violence & "The Wrestler"

Most porn is about as titillating as a Yule log on a loop, which is why I never watch it. Except if I happen to be flipping channels on a Friday night, when World Wrestling Entertainment broadcasts its Friday Night SmackDown, a steroid-enhanced, S&M-laced, hard-bodied orgy of enormous proportions. It’s long been my fantasy to sit ringside, to smell the virile sweat and gape in awe at the blown up muscles, so freaky they’re sexy, akin to any porn star’s massively inflated tits. The homoerotic, dominant man on dominant man action, each bulging star vying to become the ultimate top, to slam his rival to the mat and make him his bitch, drives me wild. To this day The Rock’s “The People’s Champ” still ranks right alongside the remake of “Casino Royale” as my favorite gay porn.

So naturally I breathlessly awaited the press screening of Darren Aronofsky’s “The Wrestler” starring Mickey Rourke – who decades ago honed his S&M chops in “9 1/2 Weeks” – as Randy “The Ram” Robinson.

To read the rest of my column visit Spout.

Friday, December 5, 2008

Oh, Those Beautiful Weimar Girls

“Oh, Those Beautiful Weimar Girls” is The New Stage Theatre Company’s attempt at crossing Fosse with Genet (plus a sprinkling of Grand Guignol) to explore the life of Anita Berber – “Weimar Berlin’s Priestess of Depravity,” according to her biographer Mel Gordon (who decades ago taught my freshman year, theater history class at NYU, and whose “The Seven Addictions and Five Professions of Anita Berber” inspired artistic director Ildiko Nemeth to direct and co-write, along with Mark Altman, the play). But as its title suggests the true star of the show isn’t Sarah Lemp, who plays Berber, but the campy, vaudevillian chorus girls who perfectly execute the down-and-dirty, dynamic choreography of conceptual artist Julie Atlas Muz (Miss Exotic World and Miss Coney Island ’06) like a lusty, peep show version of The Rockettes.

To read the rest of my titillating review visit Theater Online.

Wednesday, December 3, 2008

Transporter Gay?

Since I’m not a fan of Luc Besson any more than I am of Guy Ritchie, I’ve avoided the “Transporter” franchise from the start. Sure its star Jason Statham has a to-kill-for bod, but then that’s part of the action hero job description. And compared to hot he-men with a wicked, up-for-anything gleam in their eye like the Governator or The Rock or Daniel Craig, well, Statham’s just a little too bland for my taste. He’s someone you’d take home to mom for the holidays, not blow in an airplane bathroom along the way, having to dodge dirty looks at baggage claim upon landing. Never mind.

But after reading Chris Lee’s “L.A. Times” piece, in which director Louis Leterrier claims to have added a gay subtext to Statham’s character in “Transporter 2,” I knew I just had to take a peek.

To read the rest of my column visit Spout.

And on a heterosexual note…Lolita lovers and film fans rejoice!

Michael Cieply at the “NY Times” writes Film Cited in Request to Dismiss Polanski Case.

“Pianist” fingers crossed.

Monday, December 1, 2008

Insensitivity Via Fertilization


As the economy collapses and millions of children around the world await adoption to a loving home, what does the “New York Times Magazine” (11.30.08) choose as its cover story? Her Body, My Baby by Alex Kuczynski, a writer for the paper – and, unsurprisingly, the author of a book titled “Beauty Junkies” – who laid out 25 grand (in addition to the tens of thousands of dollars she spent on failed rounds of I.V.F.) to “rent” the womb of a surrogate mom, and goes to near apologetic lengths to justify her narcissism. (Longing for a genetic attachment to her child and unable to carry a pregnancy to term, Kuczynski felt it just made sense that Cathy – who has a husband and children of her own and wasn’t living in poverty, hence she had to have been doing it for more than college tuition for the kids – would bear the burden for nine months.)

“She wasn’t desperate for the money, so our relationship wouldn’t have to feel like a purely commercial enterprise, or a charitable one,” Kuczynski writes. Somehow it would be easier to believe her sincerity if the lead photo accompanying the article didn’t include Kuczynski’s African-American “baby nurse,” dressed in servant white and standing at attention beside mother and newborn on their plantation-like, Southampton front lawn.

4 Gay-For-Pay Action Heroes

“In other words, one of the few industries left in which gay white men (actors) don’t make pay (i.e., wield power) equal to that of their hetero counterparts has churned out a movie (Gus Van Sant’s “Milk”) about a gay white man who demanded equal rights. Which is ironic enough. And yet even while homo thespians don’t make the serious money in Hollywood some of the biggest box office draws have been allowed to play gay!”

To find out who read my column at Spout.