Wednesday, November 29, 2017

Ask the Sexpert: Can a gynecologist's advice column change Indian culture?

Ask the Sexpert is a fascinating portrait of Mahinder Watsa, a 91-year-old former gynecologist who writes the “Ask the Sexpert” column for the Mumbai Mirror. From the start, we learn that India’s Dr. Ruth is a beloved figure in his conservative country, but abstinence activist Pratibha Naithani is taking him to court to “preserve the nation’s morality.” She believes his column is akin to pornography and “debases” Indian society. Many conservatives believe a moral line has been crossed when children can read a column that discusses everything from masturbation to golden showers.


To read the rest of my review visit Bitch magazine.

Thursday, November 23, 2017

Thursday, September 21, 2017

Tone and Form: Elvira Lind on 'Bobbi Jene'

I first met the Danish director Elvira Lind at the Hot Springs Documentary Film Festival (where I help program the features). This was back in 2014, the year before she won the CPH:DOX New Talent Award, before she launched her queer docuseries, Viceland's Twiz and Tuck. Lind was at the spa town to present Songs for Alexis, her extraordinarily nuanced portrait of Ryan Cassata, a teenage musician transitioning into adulthood (and into another gender. Ryan also happens to be trans—and in love with the titular Alexis, his cisgender girlfriend). When Ryan treated the audience to a post-screening concert, the cheers from his proud mom were rivaled only by those of the doc's director—who was simultaneously cheering and shooting, of course. In other words, Elvira Lind is a documentarian who invests as much in her flesh-and-blood subjects as in the films themselves—a trait that often separates the good storytellers from the great.


To read the rest visit Documentary magazine.

Tuesday, September 12, 2017

“Women Are Often Seen as a Risk while Men are an Investment”: Ingrid Veninger on Porcupine Lake and her pUNK Films Femmes Labs

Porcupine Lake is the sixth feature from pUNK Films founder Ingrid Veninger. It’s also the first from the pUNK Films Femmes Labs, which started as a DIY idea of gathering six Canadian female filmmakers to work on their six screenplays for six months to reality — courtesy of Oscar-winner Melissa Leo, who happened to hear Veninger’s pitch for funding at the Whistler Film Festival and immediately sign on as sponsor.

The film itself feels like a throwback to the early heady (not to mention pre-tech, as there’s not a smartphone-glued character in sight!) days of low-key/low-budget independent film. It’s a cinematic coming-of-age tale that follows two preteens, Bea from Toronto and Kate from the summer cottage town in rural Ontario where the film is set, as they navigate everything from sex and sexuality and troubled parents who often act like children to older siblings with troubles of their own. In other words, it’s a small story that captures life’s momentous changes and adult consequences. Filmmaker was fortunate enough to catch up with the Slovakian-Canadian actor/producer/writer/director prior to the flick’s TIFF premiere.


To read my interview visit Filmmaker magazine.

Wednesday, July 26, 2017

FETISHIZING DISTRESS: THE WRONG LIGHT AND SEX TRAFFICKING

Josie Swantek Heitz’s and Dave Adams’s The Wrong Light, theatrically released in NYC through Cinema Guild on July 14, is disturbing on several levels. First, there’s the story itself. The filmmakers set out to create a portrait of the Children’s Organization of Southeast Asia (COSA), a nonprofit boarding school of sorts founded in 2005 by Mickey Choothesa. Choothesa is a self-proclaimed war photographer (with no background in child services) whose mission in life seems to be to save Northern Thailand’s girls from being sold into the country’s sex trade. Through the eyes of two “rescued” adolescents, whose parents had allegedly sold them to traffickers, the filmmaking team hoped to celebrate a tale of resilience, courage, and redemption. If all this sounds too good to be true, you’re probably not part of the rich, white philanthropy establishment.

To read my review visit The Rumpus.

Sunday, March 12, 2017

Following The Money Shot: Ovidie on Her SXSW Investigative Doc Pornocracy

Originally trained in philosophy, and known as the “porn star intellectual” since the publication of her book Porno Manifesto in the early aughts, feminist pornographer Ovidie can now add hard-hitting investigative journalist to her CV. The French icon’s latest documentary Pornocracy, debuting at SXSW (and later in the month at CPH:DOX), is a stunning exploration of the dark underbelly of online porn — a shadowy world in which a single faceless multinational corporation, with numerous offshore accounts, controls what we see while exploiting the performers whose very livelihood it shamelessly steals. Filmmaker spoke with Ovidie prior to the doc’s March 12th premiere.


To read my interview visit Filmmaker magazine.

Thursday, March 9, 2017

“Porn is Everywhere, Almost Like a Collective Unconscious”: Bruce LaBruce on his XConfessions Short Refugee’s Welcome

Bruce LaBruce is one busy renaissance man. The queercore icon — director of 11 features (not to mention numerous short films and music videos, and several theater works), visual artist and author — has now teamed up with Erika Lust’s XConfessions to release Refugee’s Welcome. The story of a Syrian refugee in Berlin who both suffers a hate crime and finds a poetic (and explicitly sexual) connection with a Czech punk, the short will be available on Eroticfilms.com (NSWF link, obviously!) on March 9th. (And for free — use the code BRUCE).

Filmmaker spoke with LaBruce — who makes mainstream and hardcore versions of his films — fresh off the Berlinale premiere of his most recent feature, The Misandrists.


To read the rest visit Filmmaker magazine.