Criminalizing Kink in the UK: The 50 Shades Effect

Last month I reached out to LA-based expat Anna Span, an English porn producer (and one-time Liberal Democrat candidate) who awhile back, fought the UK’s ban on showing female ejaculation in porn—and won! I was anxious to hear her take on the recent crackdown on sadomasochistic practices in adult films, specifically whether “BDSM-themed art porn” is technically even legal in the UK nowadays.

To find out more visit The Rumpus.

Hot in The City: Mariah MacCarthy on The Brick Theater’s First Ever F*ckfest

As a writer who’s authored an erotic memoir, and a filmmaker who’s an alum of CineKink NYC, it didn’t take much for The Brick Theater’s recent press release that landed in my inbox to grab my attention. Williamsburg, Brooklyn’s little theater that can-do was trumpeting their inaugural F*ckfest – a “sextival” that opened with a free cabaret on June 9th and runs all the way through July 3rd. In between those dates The Brick would be packed with nearly 20 shows of all sexual shapes and sizes – from comedy sketches, to multimedia performances, to an audio installation, to even an opera. And because I don’t normally receive invites that conclude with, “As noted scholar and professor of sexology Dr. Marvin P. Gaye, Jr. put it, ‘Let’s get it ahwnnn,’” I was lusting to find out more.

Fortunately, I was able to speak with The Brick’s Associate Artistic Director, and the event’s curator, Mariah MacCarthy halfway through the sexy fest.

To read my interview visit Global Comment.

Queer Film Pioneer Monika Treut on Of Girls and Horses

A legend in lesbian cinema, Monika Treut has been making films for 30 years, starting with her 1985 narrative feature Seduction: The Cruel Woman (featuring Udo Kier – not bad for a debut film), and right through to this year’s Of Girls and Horses, a poetic coming-of-age tale that also serves as a celebration of nature’s transformational power. Along the way Treut has also explored the nonfiction realm, turning her lens on everything from gender identity (1999’s Gendernauts) to Taiwanese food (2012’s The Raw and the Cooked).

Filmmaker was fortunate enough to catch up with the Hyena Films co-founder (along with Elfi Mikesch, her co-director on Seduction) during post-production on her latest documentary, which was shot in Brazil – her head still “buzzing with Portuguese favela slang.”

To read my interview visit Filmmaker magazine.

Caitlyn Is The New Clint: Why Jenner Matters

In all honesty, I’ve been out of the loop when it comes to the reality TV star formerly known as Bruce. Too young to recall Jenner’s decathlon-winning heyday, which launched him onto Wheaties boxes and into media stardom, and having neglected to keep up with the Kardashians, I’ve really never given a moment’s thought to the spotlight-loving sexagenarian. However, as someone who’s long identified as genderqueer, and is quite curious about cisgender reactions to the trans community, I figured I should finally get around to taking a look at that infamous “coming out” interview Jenner gave to straitlaced Diane Sawyer, especially now that the Bruce who gave it is no more.

To read the rest visit The Rumpus.

Thought Crimes, Sexual Fantasies and “The Cannibal Cop”

Years ago when I worked at a house of domination in NYC’s Chelsea district, there were a handful of clients who were memorable for breaking up the run-of-the-mill fetish (foot worship, spanking, bondage, role playing, repeat) monotony. One was a dude I never saw, but only heard about whenever one of the few Mistresses capable of handling his fantasy would dip out of the emotionally exhausting session to vent in the dressing room. As far as I know he was our only client who spent his high-priced hour rhapsodizing about killing and eating his relatives.

I thought of this client while watching the recent HBO documentary Thought Crimes, filmmaker Erin Lee Carr’s portrait of Gil Valle, a NYC police officer better known as “The Cannibal Cop” after Valle’s online life became the subject of a criminal conspiracy investigation.

To read the rest visit The Rumpus.

Feminist Pornographer Jennifer Lyon Bell on Silver Shoes, PinkLabel.tv, and the Holy F*ck Film Festival

I’ve known Amsterdam-based, San Francisco-bred, Jennifer Lyon Bell ever since we met over half a decade ago at Brooklyn’s much beloved Monkey Town — back when a DIY, Williamsburg performance space could afford to host a Sunday brunch for CineKink Film Festival award winners. (Bell’s Matinée took the Best Narrative Short prize, while Un Piede di Roman Polanski, an homage to Roman Polanski’s foot fetish I co-directed with Roxanne Kapista, nabbed Best Experimental Short.) Since then Bell’s films have been both banned (Matinée from the Melbourne Underground Film Festival by the Australian Film Commission in 2009) and celebrated, most recently in the U.K. and Canada. Her latest, Silver Shoes, available from PinkLabel.tv, premiered at London’s Institute of Contemporary Arts and won the Feminist Porn Awards 2014 Movie of the Year.

Filmmaker decided to catch up with Bell to chat about the film’s digital launch via a “fair trade” platform, the current climate for art porn, and Amsterdam’s inaugural (and brilliantly named) Holy F*ck Film Festival.

To read my interview visit Filmmaker magazine.

An Interview With the Directors of Kumu Hina, A Hawaiian Transgender Story

Mark your calendars and set your DVRs. If orange is the new black, then Hawaii is the new cool state. Premiering Monday, May 4th on PBS’s Independent Lens is Kumu Hina, Dean Hamer and Joe Wilson’s uplifting portrait of gender and cultural empowerment in the Pacific. This enthralling documentary follows titular subject Kumu (“Teacher”) Hina Wong-Kalu, a married woman and dedicated cultural mentor at a native Hawaiian school who also happens to be māhū – or what the west would call a transgender person. As we watch Hina ready her all-male hula troop (which includes one kickass sixth-grader, born female but an out-and-proud māhū) for their year-end performance, and struggle in her relationship with a heterosexual, cisgender Tongan man, what emerges is something extraordinary. Through their patient, cinema vérité style, Hamer and Wilson give us a glimpse into a world where aloha – “love, honor and respect for all” – is not just a catchy word or an abstract idea, but truly a way of life.

I was fortunate enough to speak with the award-winning co-directors prior to the doc’s public broadcasting debut (programmed in celebration of Asian American and Pacific Islander Heritage Month).

To read my interview visit Global Comment.